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traxx is the world's indie broadcaster for music elitists & indie kids.
Some of the genres we spin are Indie Rock, Indie Pop, Electropop, New Rave, Britpop, Indie Folk, Indietronica, Indie Hip Hop, Noise Pop and Post-Rock!

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Cat Flap

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Over the weekend the stage of the Hi-Fi Bar was graced by two amazing performers, The Cat Empire and The Flap. It’s hard to fully comprehend the overall atmosphere of the night, and words fail to describe the beauty and soul that the two bands brought to the stage, but I will try my best. The night started with The Flap a five piece band consisting of a trumpet, a trombone, bass, drums and my personal favourite instrument of the night, a banjo-ukulele. Yes, it’s exactly what it sounds like, a banjo crossed with a ukulele. The Flap did a fantastic job opening the show and were able to get the crowd grooving and pumped up before The Cat Empire took the stage.

The Cat Empire entered the stage to a roar of excitement from the audience and what followed was unbelievable. The crowd didn’t stop moving throughout the entire show. They had everyone captivated and connected from the minute their first song started right up until the end of the encore. Their music connected with the audience on levels I have never experienced before, there was almost a spiritual element to the performance. They were truly masters of their instruments, this was demonstrated time and time again as the night progressed. They were able to connect with all types of people no matter their age, gender, job, income, or any other defining features we give other people. The Cat Empire was about music and enjoying life, they showed the audience the true power of music. It was an unmissable event, but for those of you who were unable to attend this concert there is still hope! The Cat Empire plan to return to Brisbane in September and The Flap will be returning to the Beetle Bar in June. The Cat Empire will also be releasing a brand new album called Steal The Light, which will be released on the 17th of May and after hearing them play some of their new songs I can tell it will be a fantastic album.

in General, Music News, Reviews by Darcy read more

Love Like Hate – The Tempo Hotel

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My first thought when hearing Love Like Hate’s EP “Down the rabbit hole” was “How have I not heard of these girls before?!” I distinctly remember thinking this again when witnessing the duo’s live show at The Tempo Hotel on Friday the 26th of April. As the support act “Smoking Martha” took to the stage, I instantly became aware that I was going to see some incredible talent. Though only formed in the last year, Smoking Martha play as if they’ve been playing together for years, all of the members generating an extraordinary amount of energy which was met with unwavering enthusiasm by the audience. A special mention needs to go out to the lead vocalist Tasha. Tasha powerfully captures the audiences attention through her incredibly dynamic stage presence, this young woman can own a stage like no other, and once you are drawn in, she keeps your attention with her dark and powerful voice, a voice I can only describe as that of of a dominatrix angel.  (Seriously…you need to hear it…stop facebooking right now and check them out). As incredibly disappointed as I was when their set came to an end, I tingled a little with excitement, as I knew what was coming next.

 

Love Like Hate are Heather Cheketri and Sonja TerHorst and they played a stunning set. The Brisbane duo’s delightful melding pot of influences give them a very distinct sound, a sound I don’t believe there is enough of in the Brisbane music scene. With nods towards PJ Harvey and The Jezabels, Love Like Hate’s songs are beautifully crafted works, each orchestrated perfectly to allow rich and powerful timbres with dynamic versatility. Armed with just a guitar and piano, the two instruments blend perfectly, grungy lead guitar lines are framed beautifully by the piano’s chime-like melodies. The compositions though incredibly catchy, also keep the listener on their toes through incredibly well executed shifts in mood and tempo that really distinguish their sound from a lot of other artists of the same style. The inclusion of a drummer in the set was extremely wise, as it really helped emphasize a lot of these changes. Heather’s voice is soothing yet mournful, seamlessly and beautifully guiding the audience through each song. ‘Not My Heart” is the single from the EP and definitely showcased this, standing out as a highlight of the set. Another standout was the final song of the set, a new song that the girls only decided to play at the last minute; the song is equally as melancholy as it is likely to get stuck in your head, an extremely difficult fete! The support for the band was incredible, with the audience really investing in the performance; this created quite an intimate and enthusiastic atmosphere perfect which just added an extra element to the night.  Love Like Hate are really starting to make a name for themselves in Australia, and rightly so! I for one am incredibly excited to hear what these talented artists do next!

in Reviews by James read more

Aerosmith Aren’t Over

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Aerosmith took to the stage on Wednesday night at the Brisbane Entertainment Centre. Siting just to the left of the stage I had no idea what to expect, part of me felt that this would be another old rocker who was pasted his prime, I have never been more wrong. Steve Tyler proved that he wasn’t done yet, he was the definition of sex, glam and rock and roll. The king of glam rock who wasn’t ready to give up his throne. For a man into his mid sixties he still had all the dance moves of his youth, bouncing around the stage using the mic stand more as a prop covered in scarves rather than a stand.

Guitarist Joe Perry, or JP has he is more commonly known, seemed to think there was some rule against using the same guitar twice. Even a guitar change after every song wasn’t good enough. He decided it would be a good idea to have a guitar change mid way through a song so he can play his solo. It was an extraordinary sight to see this man with one guitar strapped to his back and another in his hands as he ripped up the fret board with a mind blowing solo.

Drummer Joey Kramer showed he wasn’t just a back ground drummer when the rest of the band left the stage to give him time to solo. He started off slowly moving to more complex poly-rhythms, he continued to build even further upon this by getting Steve Tyler back on stage to play the same drum kit at the same time. Eventually he gave up on using sticks and instead used every other part of his body including his head.

They had the audience captivated from the beginning to the end without a dull moment I between. They even graced the stage a second time for an encore performance which started with their hit dream on. This was one concert that shouldn’t have been missed.

 

in Reviews by Darcy read more

Miss Elm – Idle Away

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misselmThe assortment of new music and sounds to hit the indie scene so far this year is thrilling for fans of real and true music. It’s also encouraging to see much of this coming from our own homegrown artists in Australia with one such artist featuring on traxx this week.

 

Brisbane artist Miss Elm burst onto the stage in 2011 with the release of her first single ‘Little Trees.’ It was a quirky and vibrant creation with intriguing vocals from the high-pitched Erin Harrington.

The recent addition of Lucinda Bopf’s flute and melodica combined with James Peeters on drums and James Lord on Bass has seen Miss Elm gain a growing fan base that’ll only extend with the recent release of her new EP, Idle Away.

in Reviews by scott read more

Phil Hancock shows us how to be serious

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Brisbane cutie Phil Hancock has released his debut EP “Oh So Serious” and the number one thought on my mind is that anyone who hasn’t heard it yet is completely missing out. I’ve been waiting impatiently for this EP since I interviewed Phil on traxx last year, and it was well worth the wait. Last Saturday night, Phil, supported by Sports Fan and traxx radio’s Australian album of the year winner for 2012 Deena, celebrated the launch at X&Y Bar in Brisbane. Wearing a shirt patterned with happy faces and one of his trademark bow ties, he was happily welcomed on stage by his adoring fans. In fact, at one point of the night I heard him say, “I’m playing now, I can’t touch you” to an enthusiastic fan in the front row.

 

Beginning the entertainment was Sports Fan, a power-pop trio made up of Dion Read, Vincent Kemp and Benjamin Webster. A fusion of angry piano with bellowing drums and moody bass, you wouldn’t think that it would mesh together, but it does. Their stage presence was cheeky and refreshing – definitely a band to keep an eye on throughout 2013. Next up came the gorgeous Deena, who performed with her trademark soulful whimsicalness (before you rush to Google, it is a word) and captured the crowd with her beautiful lyrics and sublime vocals. Deena is about to embark on a tour through Asia, but look out for her local gigs when she returns.

 

Backed by Adriano Le Mura (lead guitar), Adam Brill (bass guitar) and Kai Patch (drums), Phil opened his set with ‘Sugar Rush’, the single he released late last year. Following up with a couple of old favourites ‘Bitch’, ‘Extraordinary Love’ and ‘Who We Fall For’ was an excellent way to warm up the crowd. Then he moved on to performing the hits from his new EP. First up was ‘Cloud’ a song he wrote for the people in his life who bring him happiness. It is a moving ballad with a slow, rolling keyboard accompaniment. I picture it as perfect study music, soft and soothing. His second song ‘Castle in the Air’ was slightly more upbeat, a motivational story about success. It has a steady beat and the crowd couldn’t help but dance along.

 

 

The next song was my personal favourite. Phil gave us a little introduction and dedicated it to our most annoying of exes (you all know the ones) who break our hearts and then want us back. Though, as he said with a flick of his hair, who can blame them? ‘Geez (Get Over Me)’ is poppy, cute and the lyrics are hilarious. As well as embarrassingly relatable! This song is already reaching high play counts in my car. Finally, the title song ‘Oh So Serious’ is an upbeat pop song, and the perfect way to end the gig.

 

I would recommend 10/10 that you guys check out Phil Hancock’s EP ‘Oh So Serious’ right now! Don’t forget you can hear Phil’s latest tracks spinning on traxx as well. I look forward to the next colourful, bowtie filled performance from Phil <3

in Reviews by kait read more

Cub Scouts live in Brisbane

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Here at traxx radio, we make no secret of our love for Brisbane cuties the Cub Scouts. Perhaps that is why music director Candace and I spent the past couple of weeks counting down the days until the Cubbies’ “Pool” tour arrived at the Black Bear Lodge in Brisbane. After arriving, and wishing we had dressed a little more “hipster”, we scored ourselves a perfect place in the crowd, front and centre of the stage. Don’t believe me? Ignore our crazy demon eyes and check out this photo taken from the Cub Scouts’ facebook and instagram feed, that’s me holding the beach ball (which you will hear more about later).

For those of you living under a rock, the indie-pop five-piece features Tim Nelson (lead vocals/keys), Zoe Davis (bass/vocals), Sam Netterfield (keys/vocals), Andy Williams (guitar) and Daniel Puusaari (drums).  Their first single was released in October 2011 and their debut EP “Told You So” followed in 2012. As I mentioned earlier, this particular gig was promoting their latest release “Pool”, which was also the first song of the night. Throwing large inflatable beach balls into the crowd was an excellent, and well-themed, touch. As you can see in the photo, I was lucky enough to get my hands on a beach ball when Zoe kicked it towards me during their final song, and the entire band was nice enough to sign it for me at the end of the night. Thursday night was the Cubbie’s first ever sold out show, and the crowd certainly showed their enthusiasm to be a part of it.

 

Crowd favourites performed included “Hands”, “Do You Hear”, “Told You So” and “Scream”, as well as new song “Paradise”, which is definitely one to keep an ear out for over the coming months. Then of course came the well anticipated Destiny’s Child cover, a mash up of “Say My Name”, “Jumpin’ Jumpin’” and “Crazy in Love”. I am surprised the floorboards of Black Bear Lodge survived, I could feel them bouncing under the dancing feet of the full capacity audience. The final song performed was “Evie”, during which the front row was hit in the face with confetti bombs, hence why I woke up the next morning with glitter still in my hair.

The Cub Scouts are not only excellent musicians but also fantastically entertaining performers. Next up the Cubbies are heading overseas to the UK, but I strongly recommend keeping an eye out for their next Australian tour. I will see you there. Don’t forget that “Pool” is currently spinning in platinum rotation on traxx, so tune in now!

 

Peace, love and giant inflatable beach balls.

in Reviews by kait read more

The Blackwater Fever – The Depths Album Launch, The Joynt

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Brisbane band The Blackwater Fever are a powerhouse of sound so I was eager to head to The Joynt and check out their new material at the album launch of LP The Depths.  While they have been playing as a three piece for some time now, The Depths is their first recording with Bass and Organ player Jed A Walters.  The expansion from a duo has naturally seen an expansion in their sound and it builds a solid new dimension to an already reputable and well oiled music making machine.

 

Most of the set is compiled from The Depths with a few tracks from previous releases Sweet Misery & In Stereo, their inclusion causing quite the stir from the devoted following in the crowd.  There is an organic element to The Blackwater Fever’s live performance, with a number of the tracks seeing more of an interaction going on between the band members than with the audience.  This is not a detrimental aspect though and simply enables these guys deliver a set that channels multiple genres with precision playing after various solos.   Between Shane Hicks’ gritty guitar, Andrew Walter’s wide range drum work and Jed A Walters’ quick bass fingers and haunting Korg chords, it’s instrumentation of their songs seems to impact on the audience the most.

 

Set opener Tide Rider is a relatively short instrumental track that integrates digital samples that are incorporated by Walters again at the end of the set.  Its fuzzy guitar leads well into second song Can’t Help Yourself, with a deep, pulsating bass line, ricocheting snare and tight high hats.  Lyrically the songs span a wide range from loathsome love and longing over she devils to tales of gory folk heroes with a penchant for blood.  This works in the groups favour, amplifying the intensity and angst that is delivered from each songs composition.

 

Won’t Cry Over You feels a little lighter with a greater focus on whaling guitar to an outro that builds from Hicks’ husky tones.  If I was more of a jilted lover type I think this song would be somewhat of an anthem to me.  Taking Its Toll showcases more of Hicks’ vocal, which is a cross somewhere between Corey Taylor and Gavin Rossdale.  It’s definitely a song I prefer live to the In Stereo recording.   Back For You’s intro reminds me, unashamedly, of Black Velvet by Alannah Myles however regardless of this slightly token 90’s reference I enjoy the momentary slowing of pace in the set.  The song was released on their first offering Sweet Misery and is a good point of reference to see how they have developed their sound since the 2008 release.  Now She’s Gone sees Walters interjecting some marvellous organ and some enticing guitar work from Hicks’ which, for me, refreshes a song that lyrically I could take or leave.

 

Rehashing fond memories of Buddy Guy, Oh Deceit is a beautiful example of sweet blues.  Don’t Fuck With Joe is definitely another favourite of mine.  I flipped out when I first saw their murderous film clip.  These guys pitch the darker side of life so well and this track is no exception.  Hicks’ vocals are grittier than ever and the song builds with a fantastic intensity to an extremely welcoming crowd.  The set continues to gain momentum from here with End Of Time, another track I prefer live.  Hicks’ seems like a preacher and Walter and Walters as if they are playing out some sort of apocalyptic prog/blues rock storm sequence.  It’s dramatically enriching.  I have no real idea what is happening during Over Broken Bones partially due to End of Time still resonating in my head and the silly lady in front of me who insists on attempting to hold a conversation with her clearly uninterested date.  I can only assume the show was his choice and I’m can’t help but feel sorry that his left ear missed out on so much of it.

 

I am enamoured by the snare/cymbal work on Running of The Wilderbeast another instrumental track that holds a smooth steady rhythm.  Closing tracks Lovesick, from Sweet Misery, and Better Off Dead are a lot rockier (Stone Sour-ish if you will) and lyrically not one of my highlights but both are definitely a great showcase of Andrew’s wicked skills on the kit.  Much to the jubilation of the crowd the group remains to play an encore of the rather sedate Rat Eyes before closing the set with the album title track The Depths.  This little ditty has been tempting me for months so it was marvellous to finally see it live.  A great crescendo to the end of the show and I find Jed’s scattering of samples a welcome element that are pleasantly placed.

 

Talking to drummer Andrew Walter after their set it is good to hear more shows are on the cards probably in Sydney and Melbourne.  Regardless of this it disappoints me a little that there will be some time before I get to see these guys live again.  We will certainly be keeping you posted on any upcoming shows.  The Depths is out now independently through MGM Distribution; however y’all also have the limited opportunity to stream it via The Blackwater Fever’s website here.

in General, Reviews by tennille read more

Jakarta Criers – Black Bear Lodge

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Brisbane four piece Jakarta Criers are carving quite the name for themselves in the East Coast music scene, notching a number of highly prized festival spots over their time together.  After seeing them play at Black Bear Lodge in February it is not hard to see why.  Guitar rock with sweet melodies is always a welcome discovery for me at Traxx so I was exceptionally chuffed to catch a full show from these boys who are as easy on the eyes as they are in the ears.

 

I’m never one to be punctual, it’s a life failing I know, however I was apprehensive to find that my precisely timed evening was going to be blown out by a delayed performance from second support act for the evening.   Praise be to the Criers superb ‘sound guy’ Joel Adams, who put his technical mastery into practice having the boys checked and on stage with in ten minutes (if that).  I’ve always felt their first single Peking was notable but not mind blowing, so I was content to sit back and aurally observe the set with slight ambivalence, particularly when opening track Gold Moon Put Downs harboured elements of Powderfinger-esk guitars.  Again though I find myself having to dismiss my initial judgements as lead singer James Walker belts out the lyrics in a favoured Japandroids/Gaslight Anthem style.

 

The great thing I’m soon discover is the quality, capable and considerate musicianship that these guys have to offer.  Each member of Jakarta Criers is talented in their own right and they manage to construct their songs accordingly, creating moments for the individuals to shine amongst the group performance.  Bassist Will Rowles joins Walker in harmonies on Watchtower Birds while carving out a sweet bass line into the harmonious guitars of Walker and lead guitarist  Seaton Fell-Smith.  Next up is Whale Tales, which opens with some spectacular snare work from Wil Logan.  Second single Maybe is a favourite of mine from the evening and a track that is now getting high rotation on my personal playlist. Occam’s Razor also gains props with a funky feel that sits well with great guitars, brilliant drums and a generally awesome breakdown.  Walker’s vocal channels a touch of Paul Dempsey  and I find myself becoming more enamored with his range.  From here my mind is in a guitar drooling haze as they belt out New One, Peking (which, for me, is much more appealing live) then Blues, and with the efficient tenacity they opened on their set is sadly over.

 

As they depart the stage  I turn to my fellow punters to revel in what was a great evening of live music.  Jakarta Criers provide no nonsense tunes that highlight the things good rock bands should.  Sweet riffs with funky plucked bass and the occasional rim shot are, for lack of a better comment, music to my ears and its a relief to have access to more guitar heavy bands on the Traxx radio rotations.  Getting ready to hit the road again for a four date tour in mid-March I thoroughly recommend you check these guys out while tickets are only $10.  Until  you get the privilege of seeing them live head over to the Traxx requests page and get dedicating some sweet rock tunes to the ones you love…

 

in General, Reviews by tennille read more

Kim Churchill – Black Bear Lodge

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After giving my tympanic membranes a well deserved rest post Weezer Week and Big Day Out I was frothing at the bit to see some sort of live music.  One should never be with out it for more than a week! So, I was particularly chuffed to ascend the Black Bear Lodge stair case and be greeted with a ‘sold out’ sign, such is the hype surrounding Merimbula musician Kim Churchill.  After researching his work I had reserved myself to be seeing another John Butler/Xavier Rudd-esk surfer come performer, and while there are subtle overtones of this, Kim Churchill is really a bundle of surprises.

 

The 23 year old’s set up is technical and tailored to deliver a range of sound with mic-ed harmonica, multiple guitars, a kick and percussion section with chimes. He is joined on stage by Jho D Wild (violin) and Felix Bzochies (trumpet), who appear intermittently through out the set.  His music comradery with Jho and Felix is a fine sight to see and they do a fantastic job during the impromptu partnership in the encore. Churchill is a exceptional guitarist who individually creates a diverse and complex sound in his work. His vocals are fantastic, with a gritty sweetness, like Damien Rice or James Reyne, that consistently contrasts with his instrumentation. Lyrical structure is a bit hit an miss with some repetition in tracks like a crazed Marcus Mumford perpetual chorus, however when this is happening there is something spectacular occurring on guitar so it’s not a real issue.

 

The content of his lyrics are endearing and reveal a well traveled young man who loves the sea and a more carefree yet considerate view of the world.  This is unsurprising when he informs us of his almost gypsy style life, living out of the back of a camper van for the past four years. I assume this stems from his phenomenal commitment to touring, with almost not stop shows across Australia in February and March before heading to the States to support Billy Bragg on The Tooth & Nail Tour and a number of dates in Canada.  For me, Kim Churchill, was exceptionally different live to his recorded work, presenting a grittier, more organic feel to his tracks.  His cover of Dylan’s Subterrainean Homesick Blues was brilliant and hushed the somewhat chattery crowd into a rambunctious jig.  I am really looking forward to the opportunity to see Kim Churchill again live at Bluesfest over Easter and  definitely recommend Traxx punters make a point of seeing him whenever he tours your way.

 

 

in General, Reviews by tennille read more

Hey Geronimo XMAS party

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Hey Geronimo is a Brisbane five-piece that has recently celebrated their first birthday. Featuring Pete Kilroy, Greg Chiapello, Ross Pearson, Andrew Stone and Tony Garrett, this indie-pop group released their debut self titled EP at a launch tour in September. Having spent 2012 supporting acts such as Ball Park Music, Bluejuice, Owl Eyes, Stonefield and Hungry Kids of Hungary, as well as headlining gigs with The Griswolds, Hurricanes and Thelma Plum to say a few, Hey Geronimo have made quite a name for themselves in the music scene this year.

 

On December 22, Hey Geronimo wrapped up their December tour with a 60s themed XMAS party at The Zoo in Brisbane. Supported by local bands Little Odessa, The Worriers and Babaganouj, it was a night of flared pants and checked shirts galore. You can blame a mixture of christmas holidays, top 50 preparations and bitchy technology for my delayed review but I really couldn’t miss spreading the word about my new favourite musicians. At the gig, I managed to grab a spot in the front row with perfect viewing, listening and dancing space so I knew I was in for a good time. The Zoo is such a fantastic venue and I always find myself surrounded by such enthusiastic crowds when I go there. This gig was certainly no exception. I quickly made friends with the girls standing behind me simply because I agreed to dance like crazy with my arms above my head, something I was already planning on doing anyway (but don’t tell them that!)

 

The music was a mix of 60s covers and originals. The Beatles were certainly strongly featured with “Hey Bulldog”, “Girl” and “Get Back” all being performed. My favourite cover of the night was probably “Cecilia” by Simon & Garfunkel, purely because I love that song so much I am a little biased. As great as the covers were, the fans were most impressed by the Hey Geronimo originals, as you would expect! Crowd favourites included “Dreamboat Jack”, “Co-Op Bookshop” and “Why Don’t We Do Something”, all from their 2012 EP.

 

In order to remind the crazy audience that we were, in fact, at a Christmas party, the group performed Silent Night complete with a visit from Santa Claus in a rather revealing red morph suit. I can’t describe this with words to do it suitable justice, but hopefully my horrible quality picture will do.

 

 

This may be an inappropriate time to mention my massive crush on band member Greg, and my complete fangirling of Hey Geronimo as a whole, but seriously if you guys had been there in the front row with us you would completely understand. The entire band just had so much enthusiasm and there is nothing I can say to fault them or the night. For those of you who are new to the Hey Geronimo scene, I must recommend checking out a few of their music videos whilst acquainting yourself with their songs. The band won music video of the year at the Traxx Top 50 for “Dreamboat Jack” but my personal favourite is “Why Don’t We Do Something” which you can find right here –> Why Dont We Do Something. What will 2013 bring for Hey Geronimo? I don’t know but I certainly can’t wait to find out! Keep an eye out at their facebook page (http://www.facebook.com/HeyGeronimo?fref=ts) for any upcoming gigs and check out their latest tracks spinning on traxx radio right now.

 

Peace, love and awesome music videos. Kaity.

in Reviews by kait read more